| Poster Session 1. Tuesday, October 27 |
|---|
PS1.1 Image Quality Estimation for Multi-Score
OMR
Dan Ringwalt, Roger B. Dannenberg |
PS1.2 Comparative Music Similarity Modelling
Using Transfer Learning Across User Groups
Daniel Wolff, Andrew
MacFarlane, Tillman Weyde |
PS1.3 Modeling Genre with the Music Genome
Project: Comparing Human-Labeled Attributes and Audio Features
Matthew Prockup, Andreas F. Ehmann, Fabien Gouyon, Erik M. Schmidt, Oscar
Celma, Youngmoo E. Kim |
PS1.4 Cover Song Identification with Timbral
Shape Sequences
Christopher J. Tralie, Paul Bendich |
PS1.5 On the Impact of Key Detection
Performance for Identifying Classical Music Styles
Christof
Weiß, Maximilian Schaab |
PS1.6 Chord Detection Using Deep Learning
Xinquan Zhou, Alexander Lerch |
PS1.7 Temporal Music Context Identification
with User Listening Data
Cameron Summers, Phillip Popp |
PS1.8 Improving Music Recommendations with a
Weighted Factorization of the Tagging Activity
Andreu Vall,
Marcin Skowron, Peter Knees, Markus Schedl |
PS1.9 An Efficient State-Space Model for
Joint Tempo and Meter Tracking
Florian Krebs, Sebastian Böck,
Gerhard Widmer |
PS1.10 Automatic Handwritten Mensural Notation
Interpreter: From Manuscript to MIDI Performance
Yu-Hui Huang,
Xuanli Chen, Serafina Beck, David Burn, Luc Van Gool |
PS1.11 Infinite Superimposed Discrete All-Pole
Modeling for Multipitch Analysis of Wavelet Spectrograms
Kazuyoshi Yoshii, Katsutoshi Itoyama, Masataka Goto |
PS1.12 Melodic Similarity in Traditional
French-Canadian Instrumental Dance Tunes
Laura Risk, Lillio Mok,
Andrew Hankinson, Julie Cumming |
PS1.13 A Semantic-Based Approach for Artist
Similarity
Sergio Oramas, Mohamed Sordo, Luis Espinosa-Anke,
Xavier Serra |
PS1.14 Predicting Pairwise Pitch Contour
Relations Based on Linguistic Tone Information in Beijing Opera Singing
Shuo Zhang, Rafael Caro Repetto, Xavier Serra |
PS1.15 Song2Quartet: A System for Generating
String Quartet Cover Songs from Polyphonic Audio of Popular Music
Graham Percival, Satoru Fukayama, Masataka Goto |
PS1.16 Exploring Data Augmentation for
Improved Singing Voice Detection with Neural Networks
Jan
Schlüter, Thomas Grill |
PS1.17 Audio Chord Recognition with a Hybrid
Recurrent Neural Network
Siddharth Sigtia, Nicolas
Boulanger-Lewandowski, Simon Dixon |
PS1.18 Design and Evaluation of a
Probabilistic Music Projection Interface
Beatrix Vad, Daniel
Boland, John Williamson, Roderick Murray-Smith, Peter Berg Steffensen |
PS1.19 Conceptual Blending in Music Cadences:
A Formal Model and Subjective Evaluation
Asterios Zacharakis,
Maximos Kaliakatsos-Papakostas, Emilios Cambouropoulos |
PS1.20 Harmonic-Percussive Source Separation
Using Harmonicity and Sparsity Constraints
Jeongsoo Park, Kyogu
Lee |
PS1.21 A Hierarchical Bayesian Framework for
Score-Informed Source Separation of Piano Music Signals
Wai Man
Szeto, Kin Hong Wong |
PS1.22 Automatic Tune Family Identification by
Musical Sequence Alignment
Patrick E. Savage, Quentin D.
Atkinson |
PS1.23 Evaluation of Album Effect for Feature
Selection in Music Genre Recognition
Igor Vatolkin, Günter
Rudolph, Claus Weihs |
PS1.24 Music Pattern Discovery with Variable
Markov Oracle: A Unified Approach to Symbolic and Audio Representations
Cheng-i Wang, Jennifer Hsu, Shlomo Dubnov |
PS1.25 Automatic Solfège Assessment
Rodrigo Schramm, Helena de Souza Nunes, Cláudio Rosito Jung |
PS1.26 Evaluating Conflict Management
Mechanisms for Online Social Jukeboxes
Felipe Vieira, Nazareno
Andrade |
PS1.27 Particle Filters for Efficient Meter
Tracking with Dynamic Bayesian Networks
Ajay Srinivasamurthy,
Andre Holzapfel, Ali Taylan Cemgil, Xavier Serra |
PS1.28 Predictive Power of Personality on
Music-Genre Exclusivity
Jotthi Bansal, Matthew Woolhouse |
PS1.29 A Toolkit for Live Annotation of Opera
Performance: Experiences Capturing Wagner's Ring Cycle
Kevin R.
Page, Terhi Nurmikko-Fuller, Carolin Rindfleisch, David M. Weigl, Richard
Lewis, Laurence Dreyfus, David De Roure |
PS1.30 Selective Acquisition Techniques for
Enculturation-Based Melodic Phrase Segmentation
Marcelo E.
Rodríguez-López, Anja Volk |
Oral Session 1: Corpus Analysis & Annotation.
Tuesday, October 27
Session Chair: Cynthia Liem |
|---|
OS1.1 Corpus Analysis Tools for Computational
Hook Discovery
Jan Van Balen, John Ashley Burgoyne, Dimitrios
Bountouridis, Daniel Müllensiefen, Remco C. Veltkamp |
OS1.2 Large-Scale Content-Based Matching of
MIDI and Audio Files
Colin Raffel, Daniel P. W. Ellis |
OS1.3 Improving Genre Annotations for the
Million Song Dataset
Hendrik Schreiber |
OS1.4 A Software Framework for Musical Data
Augmentation
Brian McFee, Eric J. Humphrey, Juan P. Bello |
Oral Session 2: Rhythm & Beat. Wednesday, October 28
Session Chair: Sebastian Böck |
|---|
OS2.1 Drum Transcription Using Partially
Fixed Non-Negative Matrix Factorization with Template Adaptation
Chih-Wei Wu, Alexander Lerch |
OS2.2 Beat and Downbeat Tracking Based on
Rhythmic Patterns Applied to the Uruguayan Candombe Drumming
Leonardo Nunes, Martín Rocamora, Luis Jure, Luiz W. P. Biscainho |
OS2.3 Automated Estimation of Ride Cymbal
Swing Ratios in Jazz Recordings
Christian Dittmar, Martin
Pfleiderer, Meinard Müller |
| Poster Session 2. Wednesday, October 28 |
|---|
PS2.1 Musical Offset Detection of Pitched
Instruments: The Case of Violin
Che-Yuan Liang, Li Su, Yi-Hsuan
Yang, Hsin-Ming Lin |
PS2.2 Specter: Combining Music Information
Retrieval with Sound Spatialization
Bill Manaris, Seth
Stoudenmier |
PS2.3 Content-Aware Collaborative Music
Recommendation Using Pre-trained Neural Networks
Dawen Liang,
Minshu Zhan, Daniel P. W. Ellis |
PS2.4 Comparative Analysis of Orchestral
Performance Recordings: An Image-Based Approach
Cynthia C. S.
Liem, Alan Hanjalic |
PS2.5 Monaural Blind Source Separation in the
Context of Vocal Detection
Bernhard Lehner, Gerhard Widmer |
PS2.6 Detection of Common Mistakes in Novice
Violin Playing
Yin-Jyun Luo, Li Su, Yi-Hsuan Yang, Tai-Shih Chi |
PS2.7 Probabilistic Modular Bass Voice
Leading in Melodic Harmonisation
Dimos Makris, Maximos
Kaliakatsos-Papakostas, Emilios Cambouropoulos |
PS2.8 An Iterative Multi Range Non-Negative
Matrix Factorization Algorithm for Polyphonic Music Transcription
Anis Khlif, Vidhyasaharan Sethu |
PS2.9 Training Phoneme Models for Singing with
"Songified" Speech Data
Anna M. Kruspe |
PS2.10 Graph-Based Rhythm Interpretation
Rong Jin, Christopher Raphael |
PS2.11 Let it Bee -- Towards NMF-Inspired Audio
Mosaicing
Jonathan Driedger, Thomas Prätzlich, Meinard Müller |
PS2.12 Real-Time Music Tracking Using Multiple
Performances as a Reference
Andreas Arzt, Gerhard Widmer |
PS2.13 Two Data Sets for Tempo Estimation and
Key Detection in Electronic Dance Music Annotated from User Corrections
Peter Knees, Ángel Faraldo, Perfecto Herrera, Richard Vogl, Sebastian Böck,
Florian Hörschläger, Mickael Le Goff |
PS2.14 Towards Support for Understanding
Classical Music: Alignment of Content Descriptions on the Web
Taku Kuribayashi, Yasuhito Asano, Masatoshi Yoshikawa |
PS2.15 FlaBase: Towards the Creation of a
Flamenco Music Knowledge Base
Sergio Oramas, Francisco Gómez,
Emilia Gómez, Joaquín Mora |
PS2.16 Discovery of Syllabic Percussion
Patterns in Tabla Solo Recordings
Swapnil Gupta, Ajay
Srinivasamurthy, Manoj Kumar, Hema A. Murthy, Xavier Serra |
PS2.17 Autoregressive Hidden Semi-Markov Model
of Symbolic Music Performance for Score Following
Eita Nakamura,
Philippe Cuvillier, Arshia Cont, Nobutaka Ono, Shigeki Sagayama |
PS2.18 Automatic Mashup Creation by
Considering both Vertical and Horizontal Mashabilities
Chuan-Lung Lee, Yin-Tzu Lin, Zun-Ren Yao, Feng-Yi Lee, Ja-Ling Wu |
PS2.19 Hierarchical Evaluation of Segment
Boundary Detection
Brian McFee, Oriol Nieto, Juan P. Bello |
PS2.20 Improving MIDI Guitar's Accuracy with
NMF and Neural Net
Masaki Otsuka, Tetsuro Kitahara |
PS2.21 Analysis of Intonation Trajectories in
Solo Singing
Jiajie Dai, Matthias Mauch, Simon Dixon |
PS2.22 Evaluating the General Chord Type
Representation in Tonal Music and Organising GCT Chord Labels in Functional
Chord Categories
Maximos Kaliakatsos-Papakostas, Asterios
Zacharakis, Costas Tsougras, Emilios Cambouropoulos |
PS2.23 Beat Histogram Features from NMF-Based
Novelty Functions for Music Classification
Athanasios Lykartsis,
Chih-Wei Wu, Alexander Lerch |
PS2.24 Music Shapelets for Fast Cover Song
Recognition
Diego F. Silva, Vinícius M. A. Souza, Gustavo E. A.
P. A. Batista |
PS2.25 Improving Score-Informed Source
Separation for Classical Music through Note Refinement
Marius
Miron, Julio José Carabias-Orti, Jordi Janer |
PS2.26 In Their Own Words: Using Text Analysis
to Identify Musicologists' Attitudes towards Technology
Charles
Inskip, Frans Wiering |
PS2.27 Combining Features for Cover Song
Identification
Julien Osmalskyj, Peter Foster, Simon Dixon,
Jean-Jacques Embrechts |
PS2.28 Score Following for Piano Performances
with Sustain-Pedal Effects
Bochen Li, Zhiyao Duan |
PS2.29 Understanding Users of Commercial Music
Services through Personas: Design Implications
Jin Ha Lee,
Rachel Price |
PS2.30 Corpus-Based Rhythmic Pattern Analysis
of Ragtime Syncopation
Hendrik Vincent Koops, Anja Volk, W. Bas
de Haas |
Oral Session 3: Melody & Voice. Wednesday, October
28
Session Chair: Matthias Mauch |
|---|
OS3.1 Comparing Voice and Stream Segmentation
Algorithms
Nicolas Guiomard-Kagan, Mathieu Giraud, Richard
Groult, Florence Levé |
OS3.2 Melody Extraction by Contour
Classification
Rachel M. Bittner, Justin Salamon, Slim Essid,
Juan P. Bello |
OS3.3 Comparison of the Singing Style of Two
Jingju Schools
Rafael Caro Repetto, Rong Gong, Nadine Kroher,
Xavier Serra |
Oral Session 4: Mixed. Wednesday, October 28
Session Chair: Eric Humphrey |
|---|
OS4.1 Improving Optical Music Recognition by
Combining Outputs from Multiple Sources
Victor Padilla, Alex
McLean, Alan Marsden, Kia Ng |
OS4.2 Relating Natural Language Text to
Musical Passages
Richard Sutcliffe, Tim Crawford, Chris Fox,
Deane L. Root, Eduard Hovy, Richard Lewis |
OS4.3 Music Boundary Detection Using Neural
Networks on Combined Features and Two-Level Annotations
Thomas
Grill, Jan Schlüter |
OS4.4 Neuroimaging Methods for Music
Information Retrieval: Current Findings and Future Prospects
Blair Kaneshiro, Jacek P. Dmochowski |
Oral Session 5: Similarity. Thursday, October 29
Session Chair: Bob Sturm |
|---|
OS5.1 Improving Visualization of
High-Dimensional Music Similarity Spaces
Arthur Flexer |
OS5.2 I-Vectors for Timbre-Based Music
Similarity and Music Artist Classification
Hamid Eghbal-zadeh,
Bernhard Lehner, Markus Schedl, Gerhard Widmer |
OS5.3 Correlating Extracted and Ground-Truth
Harmonic Data in Music Retrieval Tasks
Dylan Freedman, Eddie
Kohler, Hans Tutschku |
| Poster Session 3, Thursday, October 29 |
|---|
PS3.1 Classical Music on the Web -- User
Interfaces and Data Representations
Martin Gasser, Andreas Arzt,
Thassilo Gadermaier, Maarten Grachten, Gerhard Widmer |
PS3.2 A Statistical View on the Expressive
Timing of Piano Rolled Chords
Mutian Fu, Guangyu Xia, Roger B.
Dannenberg, Larry Wasserman |
PS3.3 Hybrid Long- and Short-Term Models of
Folk Melodies
Srikanth Cherla, Son N. Tran, Tillman Weyde, Artur
d'Avila Garcez |
PS3.4 Efficient Melodic Query Based Audio
Search for Hindustani Vocal Compositions
Kaustuv Kanti Ganguli,
Abhinav Rastogi, Vedhas Pandit, Prithvi Kantan, Preeti Rao |
PS3.5 Modified Perceptual Linear Prediction
Liftered Cepstrum (MPLPLC) Model for Pop Cover Song Recognition
Ning Chen, J. Stephen Downie, Haidong Xiao, Yu Zhu, Jie Zhu |
PS3.6 Raga Verification in Carnatic Music
Using Longest Common Segment Set
Shrey Dutta, Krishnaraj Sekhar
PV, Hema A. Murthy |
PS3.7 Instrument Identification in Optical
Music Recognition
Yucong Jiang, Christopher Raphael |
PS3.8 Cross-Version Singing Voice Detection
in Classical Opera Recordings
Christian Dittmar, Bernhard
Lehner, Thomas Prätzlich, Meinard Müller, Gerhard Widmer |
PS3.9 Accurate Tempo Estimation Based on
Recurrent Neural Networks and Resonating Comb Filters
Sebastian
Böck, Florian Krebs, Gerhard Widmer |
PS3.10 Musicology of Early Music with
Europeana Tools and Services
Erik Duval, Marnix van Berchum,
Anja Jentzsch, Gonzalo Alberto Parra Chico, Andreas Drakos |
PS3.11 Singing Voice Separation from Monaural
Music Based on Kernel Back-Fitting Using Beta-Order Spectral Amplitude
Estimation
Hye-Seung Cho, Jun-Yong Lee, Hyoung-Gook Kim |
PS3.12 Schematizing the Treatment of
Dissonance in 16th-Century Counterpoint
Andie Sigler, Jon Wild,
Eliot Handelman |
PS3.13 Analysis of the Evolution of Research
Groups and Topics in the ISMIR Conference
Mohamed Sordo,
Mitsunori Ogihara, Stefan Wuchty |
PS3.14 A Comparison of Symbolic Similarity
Measures for Finding Occurrences of Melodic Segments
Berit
Janssen, Peter van Kranenburg, Anja Volk |
PS3.15 PAD and SAD: Two Awareness-Weighted
Rhythmic Similarity Distances
Daniel Gómez-Marín, Sergi Jordà,
Perfecto Herrera |
PS3.16 Four Timely Insights on Automatic Chord
Estimation
Eric J. Humphrey, Juan P. Bello |
PS3.17 Improving Melodic Similarity in Indian
Art Music Using Culture-Specific Melodic Characteristics
Sankalp
Gulati, Joan Serrà, Xavier Serra |
PS3.18 Searching Lyrical Phrases in A-Capella
Turkish Makam Recordings
Georgi Dzhambazov, Sertan Şentürk,
Xavier Serra |
PS3.19 Quantifying Lexical Novelty in Song
Lyrics
Robert J. Ellis, Zhe Xing, Jiakun Fang, Ye Wang |
PS3.20 An Efficient Temporally-Constrained
Probabilistic Model for Multiple-Instrument Music Transcription
Emmanouil Benetos, Tillman Weyde |
PS3.21 Electric Guitar Playing Technique
Detection in Real-World Recording Based on F0 Sequence Pattern Recognition
Yuan-Ping Chen, Li Su, Yi-Hsuan Yang |
PS3.22 Extending a Model of Monophonic
Hierarchical Music Analysis to Homophony
Phillip B. Kirlin,
David L. Thomas |
PS3.23 The MIR Perspective on the Evolution of
Dynamics in Mainstream Music
Emmanuel Deruty, François Pachet |
PS3.24 Theme And Variation Encodings with
Roman Numerals (TAVERN): A New Data Set for Symbolic Music Analysis
Johanna Devaney, Claire Arthur, Nathaniel Condit-Schultz, Kirsten Nisula |
PS3.25 Benford's Law for Music Analysis
Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho, Mateu Sbert |
PS3.26 An Audio to Score Alignment Framework
Using Spectral Factorization and Dynamic Time Warping
Julio José
Carabias-Orti, F. J. Rodriguez-Serrano, P. Vera-Candeas, N. Ruiz-Reyes, F.
J. Cañadas-Quesada |
PS3.27 New Sonorities for Early Jazz
Recordings Using Sound Source Separation and Automatic Mixing Tools
Daniel Matz, Estefanía Cano, Jakob Abeßer |
PS3.28 Automatic Transcription of Ornamented
Irish Traditional Flute Music Using Hidden Markov Models
Peter
Jančovič, Münevver Köküer, Wrena Baptiste |
PS3.29 Towards Music Imagery Information
Retrieval: Introducing the OpenMIIR Dataset of EEG Recordings from Music
Perception and Imagination
Sebastian Stober, Avital Sternin,
Adrian M. Owen, Jessica A. Grahn |
PS3.30 Emotion Based Segmentation of Musical
Audio
Anna Aljanaki, Frans Wiering, Remco C. Veltkamp |
Oral Session 6: User & Community. Thursday, October
29
Session Chair: Yi-Hsuan Yang |
|---|
OS6.1 MIREX Grand Challenge 2014 User
Experience: Qualitative Analysis of User Feedback
Jin Ha Lee,
Xiao Hu, Kahyun Choi, J. Stephen Downie |
OS6.2 AcousticBrainz: A Community Platform
for Gathering Music Information Obtained from Audio
Alastair
Porter, Dmitry Bogdanov, Robert Kaye, Roman Tsukanov, Xavier Serra |
OS6.3 How Music Alters Decision Making -
Impact of Music Stimuli on Emotional Classification
Elad
Liebman, Peter Stone, Corey N. White |
OS6.4 Put the Concert Attendee in the
Spotlight. A User-Centered Design and Development Approach for Classical
Concert Applications
Mark S. Melenhorst, Cynthia C. S. Liem |
Oral Session 7: Performance. Friday, October 30
Session Chair:Zhiyao Duan |
|---|
OS7.1 Analysis of Expressive Musical Terms in
Violin Using Score-Informed and Expression-Based Audio Features
Pei-Ching Li, Li Su, Yi-Hsuan Yang, Alvin W. Y. Su |
OS7.2 Spectral Learning for Expressive
Interactive Ensemble Music Performance
Guangyu Xia, Yun Wang,
Roger B. Dannenberg, Geoffrey Gordon |
OS7.3 Score-Informed Analysis of Intonation
and Pitch Modulation in Jazz Solos
Jakob Abeßer, Estefanía Cano,
Klaus Frieler, Martin Pfleiderer, Wolf-Georg Zaddach |